Copyright & Fair Use
What is Copyright?
Determining Copyright Protection
& Public Domain
Licensed Resources, Full-text
Documents, Web Pages & Copyright
What is Fair Use?
Fair Use for Classrooms &
Library Reserves
Library Reserves Policies
Interlibrary Loan Guidelines
Sample Permission Letter
Instructions for Permission
Letters
The Copyright Guidelines for CUNY Libraries (Adobe
Reader is required to view this document)
Copyright Powerpoint Presentation
The following sections are based on the U.S. Copyright Office <http://lcweb.loc.gov/copyright/>,
the American Library Association Model Policy Concerning College
and University Photocopying for Classroom, Research and Library
Reserve Use (1982) <http://www.cni.org/docs/info.policies/ALA.html>; Fair Use of Copyrighted Works, produced by the CSU-SUNY-CUNY
Joint Committee of the Consortium for Education Technology
for University Systems (CETUS) (1996) <http://www.cetus.org/fairindex.html>
and When Works Pass Into the Public Domain by Laura Gasaway
(1998) <http://www.unc.edu/~unclng/public-d.htm>.
Stanford University Libraries has an excellent and comprehensive
Copyright & Fair Use web site that is well-worth consulting <http://fairuse.stanford.edu/>. For a Crash Course in Copyright, visit the University
of Texas site <http://www.utsystem.edu/ogc/intellectualproperty/cprtindx.htm>.
What is Copyright?
Copyright is a property right established by the Constitution,
designed to promote the progress of science and art by ensuring
that the author of information and/or creative works may reap the
benefits of his or her original work for a specific period of time.
Works of authorship include the following: literary works; musical
compositions including the lyrics, if any; dramatic works; pantomime
and choreographic works; pictorial, graphic, and sculptural works;
motion pictures and other audio-visual works; sound recordings;
and electronic information.
Copyright laws give the author/owner of original works exclusive
right to do and to authorize any of the following:
- Reproduce the copyrighted work
- Distribute copies by sale or other transfer of ownership
- Perform or display the copyrighted work publicly
In 1998, Congress passed the "Digital Millennium Copyright Act,"
intended to bring copyright law into the digital age, and the "Term
Extension Act," which harmonized U.S. and European copyright standards.
As a result, there are some significant changes to copyright protection,
especially with regards to the public domain. As a result of the
"Term Extension Act," some works received a 95-year copyright term
and did not come into the public domain in January 2000 as had been
anticipated under previous law.
Determining Copyright
Protection & Public Domain*
The "Term Extension Act" has extended the years of copyright protection
and has complicated the process of determining when a work comes
into the public domain. In general:
- Copyright protection is not available for United States Government
publications. Exceptions for NTIS and a limited number of other
documents do exist, however.
- Works created on or after 1/1/78 are protected for the life
of the author plus 70 years.
- Works published before 1923 are in the public domain.
- Works published from 1923-1963, when published with a copyright
notice, are protected for 28 years + 67 year renewal. If not renewed,
these works are now in the public domain.
- Works published from 1964-1977, when published with a copyright
notice, are protected for 28 years plus an automatic extension
of 67 years.
- Works created before 1/1/78, but not published, are protected
for the life of the author plus 70 years or 12/31/2002, whichever
is greater.
- Works created before 1/1/78, but published between then and
12/31/2002, are protected for the life of the author plus 70 years
or 12/31/2047 whichever is greater.
* Taken from "When Works Pass Into the Public Domain" by Laura Gasaway. <http://www.unc.edu/~unclng/public-d.htm>
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Licensed Resources,
Full-text Documents , Web Pages & Copyright
The Hunter Libraries and CUNY subscribe to many electronic resources
including Project Muse, Academic Search Premier, and LexisNexis,
where Hunter students, faculty and staff can access full-text documents.
With more and more faculty developing course web pages, it is important
to point out that, generally, licensing agreements prohibit copying
or downloading these documents and making them available electronically
on a course web page. However, faculty may include links to the
URLs for these documents on the course web page that will lead students
to the resources. Although the stability of the URLs varies from
database to database, there are ways of making the links to documents
"semi-persistent." Professor Manfred Kuechler, Sociology, has developed
a very useful step-by-step guide to this process in his Optimizing
a Course Web Page: Didactic, Legal, and Technical Issues (1999) <http://maxweber.hunter.cuny.edu/socio/deep-linking.htm>.
Access to full text documents has been complicated by New
York Times v. Tasini (2001) in which the Supreme Court affirmed
the copyright privileges of freelance writers whose works were originally
published in newspapers and periodicals and then licensed by the
publishers to commercial electronic databases. Commercial databases,
including Academic Search Premier and LexisNexis, have responded
to this ruling by removing those documents whose electronic rights
are not owned by the publishers. Because publishers began negotiating
the electronic rights with freelance writers in the mid-1990s, the
Tasini decision generally affects work published before
that time. It is important to note that this decision does not affect
documents in newspapers and periodicals that are on microform.
What is Fair
Use?
The rights accorded to the owner of a copyright is subject to certain
limitations found in sections 107 through 120 of the Copyright
Act. One of the more important limitations is the doctrine of
fair use, which is specifically applicable to teaching, research,
and scholarship. Section 107 outlines four factors to be considered
in determining whether or not a particular use is fair:
- The purpose and character of the use, including
whether such use is of commercial nature or is for nonprofit educational
purposes;
- The nature of the copyrighted work;
- The amount and substantiality of the portion
used in relation to the copyrighted work as a whole; and
- The effect of the use upon the potential market
for or value of the copyrighted work.
The distinction between fair use and infringement may be
unclear and not easily defined. There is no specific number of words,
lines, or notes that may safely be taken without permission. Acknowledging
the source of the copyrighted material does not substitute for obtaining
permission. For additional information on fair use, see Fair
Use of Copyrighted Works <http://www.cetus.org/fairindex.html>
Fair Use for Classrooms
& Library Reserves
The ALA Model Policy Concerning College and University Photocopying
for Classroom, Research and Library Reserve Use states: "At
the very least, instructors may make a single copy of any of the
following for scholarly research or use in teaching or preparing
to teach a class:
- a chapter from a book;
- an article from a periodical or newspaper;
- a short story, short essay, or short poem, whether or not from
a collective work;
- a chart, diagram, graph, drawing, cartoon or picture from a
book, periodical, or newspaper."
Library Reserves
Copyright Policies
At the request
of a faculty member, photocopies of articles or chapters of books
may be placed on reserve. Under fair use provisions as established
by U.S. Copyright law, photocopies of these materials may be made
without requiring permission from the copyright owner if the materials
are being placed on reserve for the first time. One copy
for every 10-15 students is the number recommended in the ALA
Model Policy. Faculty must furnish the photocopies to be placed
on reserve. In general:
repetitive
copying: The reserve or classroom use of reproduced materials
for successive semesters will normally require advance permission
from the copyright owner.
copying
for profit: Faculty should not charge students more than
the actual cost of photocopying the material.
consumable
works: The duplication of works that are consumed
in the classroom, such as standardized tests, exercises, and workbooks,
normally requires permission from the copyright owner.
creation
of anthologies: Creation of a collective work or
anthology by photocopying a number of copyrighted articles and excerpts
to be purchased and used together as the basic text for a course
will in most instances require the permission of the copyright owners.
If in doubt as to whether a particular instance of photocopying
is fair use in the reserve room, faculty should consult The
Copyright Guidelines for CUNY Libraries to determine whether
to seek permission of the copyright holder. At the end of each semester,
the photocopied reserve items and personal copies of books will
be returned to the faculty.
Interlibrary
Loan Guidelines
Hunter adheres to guidelines developed by the National Commission
on New Technological Uses of Copyrighted Works (CONTU) <http://www.cni.org/docs/info.policies/CONTU.html>.
Although these guidelines are recommendations and may not carry
the force of law, most libraries abide by these guidelines, which
uphold the fair use doctrine. Under CONTU, we can
obtain five journal articles per title from the last five years
free from royalty consideration, and do not place restrictions on
articles over five years old. Commercial document delivery services
enable us to provide articles in excess of the CONTU guidelines.
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Sample Permission Letter*
| [letterhead stationery or return address]
[Date]
[Name & address of addressee]
[If you called first, begin your letter: This letter
will confirm our recent telephone conversation.] I am [describe
your position] at Hunter College of the City University
of New York. I would like your permission to [explain your
intended use in detail, e.g., reprint the following article
in a coursepack for my course].
[Insert full citation to the original work.]
Please indicate your approval of this permission by signing
the letter where indicated below and returning it to me as
soon as possible. My fax number is set forth above. Your signing
of this letter will also confirm that you own [or your
company owns] the copyright to the above described material.
Thank you very much.
Sincerely,
[Your name and signature]
PERMISSION GRANTED FOR THE USE REQUESTED ABOVE:
[Type name of addressee below signature line]
Date: |
* Taken from Fair Use of Copyrighted Works: A Crucial Element
in Educating America<http://www.cetus.org/fairindex.html>
Instructions for
Permission Letters*
1. Be sure to include your return address, telephone number, fax
number, and the date at the top of the letter.
2. Spare no effort in confirming the exact name and address of
the addressee. Call the person to confirm the copyright ownership.
3. Clearly state the name of your university and your position.
4. Precisely describe the proposed use of the copyrighted material.
If necessary or appropriate, attach a copy of the article, quotations,
diagrams, pictures, and other materials. If the proposed use is
extensive, such as the general use of an archival or manuscript
collection, describe it in broad and sweeping terms. Your objectives
are to eliminate any ambiguities and to be sure the permission encompasses
the full scope of your needs.
5. The signature form at the end of the sample letter is appropriate
when an individual grants the permission. When a company (such as
a publishing house) is granting the permission, use the following
signature format:
PERMISSION GRANTED FOR THE USE REQUESTED ABOVE:
[Type name of company]
By:
Title:
Date:
* Taken from Fair Use of Copyrighted Works: A Crucial Element
in Educating America<http://www.cetus.org/fairindex.html>
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